Refreshed and Fired Up: A Look Back at “Todo Mundo 2025”
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“Todo Mundo Festival 2025”: The 13th Musical Refresh
Todo Mundo Festival celebrates its 13th edition with six musically diverse concerts, taking place across three Belgrade venues on September 25, 27, and 28, 2025.
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At the end of September, Belgrade’s concert scene will once again be enriched by unusual sounds rooted in diverse cultural heritages. The 13th Todo Mundo Festival will bring together performances of entirely different musical energies and aesthetics, united under the umbrella term “world music” or “global music” – a label increasingly used across European circles in recent years.
Over three festival evenings, audiences will have the rare opportunity to hear some of the most compelling voices on today’s global scene, and to explore music inspired by traditions from regions as varied as Styria, the Mediterranean, West Africa, Central Europe, and Turkey.
As always, the festival program is built primarily around projects that Belgrade and Serbian audiences have not yet had the chance to experience. This year’s edition features five Serbian premieres (some of them regional as well), out of a total of six concerts.
The festival opens on September 25 at Ložionica (Ulica ideja 2), a hub of creative industries and innovation. First to take the stage will be Austrian accordionist Jakob Steinkellner, a specialist in the sound, technique, and expressive range of the Styrian diatonic accordion. In addition to being a virtuoso performer and composer of his own music, Jakob is also professionally engaged in music therapy, working with people with special needs.
Following his solo performance, the evening continues with the quartet Tamala, made up of Senegalese and Belgian musicians. At its core is Mola Sylla, singer and multi-instrumentalist who builds many of his own instruments. Alongside him, kora virtuoso Bao Sissoko anchors the group’s West African sound, while Belgian musicians Olivier Vander Bauwede (harmonica) and Wouter Vandenabeele (violin) weave in different “languages” to create fresh, subtly pulsing, and irresistible music.
The second festival evening, after a Friday “day off”, will take place on Saturday, September 27, at the Czech Center (Svetozara Markovića Street 79). Dutch-Turkish-Italian AVA Trio crafts a complex sonic universe grounded in jazz, improvisation, and makam modes – a blend the group likes to describe as Mediterranean avant-garde. The trio is formed by musical erudites and virtuosos: Giuseppe Doronzo (baritone saxophone), Esat Ekincioglu (double bass), and Pino Basile (frame drums and cupaphone).
Also performing that evening is the Czech sextet Tomáš Kočko & ORCHESTR, shifting the mood from the hypnotic Mediterranean into the heart of Central Europe. Their music is raw, powerful, and rhythmically driven, with strong Czech folk influences filtered through a rock sensibility. The audience can expect to be carried away by the energy, beauty, and rich instrumentation of their sound – and perhaps even be tempted to dance along.
Dancing will be inevitable at the festival’s closing night on Sunday, September 28, at Karmakoma club. From Hungary comes the quintet Nasip Kısmet, blending Anatolian lyrical poetry with the rhythmic and melodic twists of psychedelic rock and jazz. At the core of the band are siblings Arif Erdem Ocak (guitar, vocals) and Derya Ocak (vocals), joined by Hungarian jazz musicians Dávid Szegő (drums), Dániel Mester (saxophone, clarinet), and Márton Eged (bass guitar), who add their distinctive sound to the mix.
The festival will close with a party headlined by a special guest from France: DJ Click. Already well known to Serbian audiences from performances at Kustendorf, Exit, and Guča, DJ Click is an artist of unclassifiable style and boundless openness. His sets traverse techno-tribal, Balkan beats, tropical bass, electro-jazz, trip-hop, and more. Throughout his career he has also been active as a remixer, collaborating with major names such as Manu Chao, Watcha Clan, Mahala Raï Banda, La Caravane Passe, and many others.
Ticket price is 1,200 RSD per evening. The festival pass is 3,000 RSD. Tickets can be purchased via the website and at Tickets.rs outlets, or by email: todomundofestival@gmail.com.
The Todo Mundo Festival is organized by the Ring Ring Association in cooperation with the Music Information Centre of Serbia. The festival is supported by Sounds of Europe, UpBeat, Collegium Hungaricum, Czech Center Belgrade, the Ministry of Culture of the Czech Republic, the Austrian Cultural Forum Belgrade, the French Institute in Serbia, Ložionica, Karmakoma, and Etnoumlje Magazine.
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🔗 Full program of “Todo Mundo 2025” available on the festival homepage
🔗 Facebook Event “Todo Mundo Festival 2025″
🔗 YouTube: Jakob Steinkellner ǀ Tamala ǀ AVA Trio ǀ Tomáš Kočko & ORCHESTR ǀ
The Colorfulness of Roma Culture: “Todo Mundo 2024” has concluded
The twelfth “Todo Mundo” festival took place in Belgrade from September 20 to 22, 2024, at several locations. The program was dedicated to the Roma people and music, featuring six concerts, a public interview, mentoring sessions, an award ceremony, and an international conference.
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It cannot be said that such a thing is essential, but it is nice and appealing for a music festival to unite the program of its edition around a specific theme. This is how “Todo Mundo” has, several times, created a “story” that flows through the concerts and other program contents. Experienced Todo Mundo crowd may recall the festival’s focuses on the African (2012), Balkan (2014), and Hungarian (2019) music scenes, as well as on women (2021) and the Roma, which served as the thematic thread of the latest, twelfth edition of the festival.
The program design was facilitated by the fact that our Ring Ring Association has been a partner in the European project “Sounds of Europe” since 2022, so this year we also turned to the portfolios of our partners from different European countries. We selected artists and groups and ultimately created a lineup consisting entirely of Roma music performers: Tcha Limberger, Júlia Kozáková, Romano Drom, and Terne Čhave. After that, we needed to add a fitting “local” concert, and the decision was simple: the Belgrade band Kal, which had never performed at “Todo Mundo” before.
And that’s not all when it comes to the Roma theme – a public discussion with Júlia Kozáková at the Musicology Institute of the Serbian Academy of Sciences and Arts (SASA) was also focused on the Roma, just like the international conference “Roma People and Music: Freedom, Adaptation, Taking Over”…
EVERYTHING WE DIDN’T KNOW ABOUT SLOVAK ROMA
The first event of this year’s festival took place in office 410 of The SASA Institute of Musicology. The public interview with Júlia Kozáková is a continuation of the series of artist conversations that the “Todo Mundo” festival has successfully developed with the idea of offering the ethnomusicological community (with an openness to a wider audience) the opportunity to get closer to a representative of a particular musical tradition or genre through direct contact.
Such conversations have previously been organized at the Faculty of Music in Belgrade, in always pleasant cooperation with the Department of Ethnomusicology, and in 2024, we decided to hold it at the Musicology Institute. The conversation with Júlia Kozáková, held on Friday, September 20, in the early afternoon, was led by ethnomusicologist Marija Dumnić Violotijević, Senior Research Associate at the Institute.
The attendees enjoyed a wealth of information and interesting facts both from Júlia Kozáková’s professional life, particularly regarding her love for the Roma heritage of her native Slovakia (Júlia herself is not Roma, but Slovak), as well as data on traditional Roma music and culture in Slovakia and surrounding countries.
The topic titled “Reinterpretation of Traditional Songs of Romani from Central Europe” turned out to be very inspiring for the audience, and as a result, the entire event lasted much longer than originally planned.
A STRONG AND GENTLE EVENING
That evening, we attended the first two concerts of the festival at the Jewish Cultural Center. First, the Belgrade band Kal filled the room with a powerful performance and intense energy, skillfully combining typical rock instruments such as electric guitar, bass guitar, and drums with sound sources characteristic of, among other things, the milieu of folk and Roma music: accordion and violin. The atmosphere was led by the frontman Dragan Ristić (vocals, guitar), always with a strong desire to encourage as many people as possible to dance.
And then – after socializing with cigarettes and beer in the lobby and outside the venue – a complete contrast to the Kal concert took place. The gathered audience was now enchanted by intimacy and warmth. Belgian musician Tcha Limberger, through his playing and voice, weaving threads of emotional tenderness and refined humor, led his Belgian-British-Hungarian-Romanian Kalotaszeg Trio, which also featured Toni Rudi (viola) and Vilmos Csikos (double bass), authentic representatives of the style. This is the sound of Transylvania and the Kalotaszeg region. But it is also about the wonderful, vivid storytelling of Tcha Limberger, through which the audience could gain an even deeper understanding of the music of this unique area.
MENTORING SESSIONS
The sunny Saturday, September 21, gathered us first in the middle of the day at the Hotel “Rex” Garden, where for the first time within the “Todo Mundo” festival, mentoring sessions were held. Our delegates – Martyna Van Nieuwland, (Netherlands/Poland), Ciro De Rosa (Italy), and Christian Pliefke (Germany), experienced professionals in the European world music scene – chatted over coffee and the gentle breeze with interested musicians about their plans, development, careers, and more. With the exception of Júlia Kozáková, the mentoring sessions were attended by local musicians from various genre backgrounds.
HOP, THEN HEAVY
The second evening at the Jewish Cultural Center was marked by two completely different concerts. Júlia Kozáková, an unknown name to the Belgrade audience, surprised them with the attractiveness of her presence and the lightness of her interpretation. Together with the outstanding, authentic sound of her accompanying Roma band Manuša, Júlia delighted the audience. Smiles, clapping, cheers, and those positively charged whistles followed every Roma song and instrumental improvisation on stage. The spirit of the Roma heritage from Central Europe and the vividness of that string tradition illuminated the audience, who, after the break, had to emotionally adjust to a different mood – the performance of Lenhart Tapes and Tijana Stanković.
Before this one non-Roma concert at the 12th “Todo Mundo” festival, we, as representatives of the World Music Association of Serbia, awarded the annual “Vojin Mališa Draškoci” Plaque with a statuette to Vladimir Lenhart for his dedicated artistic work and unique achievements in blending diverse forms of folk and cultural heritage with modern sound tools (walkmans, audio cassettes) and expressions.
Next came the recognizable noise of Lenhart Tapes, woven from beauty, power, suggestiveness, excitement, anger, and many other faces of sound. The “facilitator” of Lenhart’s artistic message – his long-time collaborator, vocalist and violinist Tijana Stanković – skillfully and magically commanded her instrumental and vocal vocabulary.
Their joint performance was predictably convincing, and a new, yet unreleased track “threatens” to become a hit, within the framework of this “industrial sound”, of course.
VIEWS OF THE ROMA
The final day of the 12th festival, Sunday, September 22, featured, as part of the program, the international conference, the fourth organized by the Ring Ring Association within the “Todo Mundo” festival. The theme “Roma People and Music: Freedom, Adaptation, Taking Over” gathered, during two sessions, nine speakers – highly experienced and distinguished individuals and professionals, including musicians, managers, publishers, organizers, ethnologists, ethnomusicologists, and more. Among the participants were representatives of various nations, including Roma.
The speakers came from nine European countries, each with their own specific knowledge and experience. The perspectives were diverse, and each one prompted questions from the audience.
The conference, held at the Jewish Cultural Center, featured the following participants: Ciro De Rosa (Italy), Maša Vukanović (Serbia), Christian Pliefke (Germany), Dragan Ristić (Serbia), Martyna Van Nieuwland (Netherlands/Poland), Tcha Limberger (Belgium), Júlia Kozáková (Slovakia), Dušan Sviba (Czech Republic), Marija Dumnić Vilotijević (Serbia), Anti Kovács (Hungary), and Marija Vitas (moderator/Serbia).
EXPLOSION OF RHYTHM AND JOY
The very end of the festival couldn’t have been more energetic! The concerts held at the Jewish Cultural Center, though vastly different, sparked a similar atmosphere and a lively mood in the audience. And they had one more thing in common: the Roma music of Central Europe, first Hungarian, and then Czech.
Romano Drom is a big name on the Hungarian music scene, one that is not unknown to the Serbian concert audience, although it was certainly necessary to once again “explain” their exceptional talent. However, everything unfolded seamlessly. The sparkling playing and lively voices of the musicians on stage conveyed the spirit of the Vlach Roma heritage from Hungary, with its irresistible mobility of vibrant acoustic music and the striking “crackling” of voices. The joy and excitement of the audience were evident.
Next, with a less traditional and more rock-oriented approach, the Czech band Terne Čhave, also a big name on their country’s scene, got the audience on their feet with even more energy. The reactions were fantastic, despite it being their debut in Serbia, although the leaders of the lively mood in audience came from the Czech Center Belgrade and their friends – Czechs and lovers of Czech culture.
The highlight of the evening and the entire festival was the joint performance of several songs, during which members of Romano Drom joined the Terne Čhave band on stage. An explosion of rhythm and joy!
The “Todo Mundo” festival is organized by the Ring Ring Association in collaboration with the Music Information Centre of Serbia.
The twelfth “Todo Mundo” festival was supported by: “Sounds of Europe” (Creative Europe), the Ministry of Culture of the Republic of Serbia, Collegium Hungaricum Belgrade, the Ministry of Culture of the Czech Republic, the Czech Center in Belgrade, EFFEA/World Music Festival Bratislava, European Folk Network/European Folk Day, the World Music Association of Serbia, the Jewish Cultural Center “Oneg Shabbat”, and the magazine “Etnoumlje”.
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🔗 Todo Mundo 2024: Report in the magazine Etnoumlje (in Serbian)
“Todo Mundo 2024” in the Spirit of Roma Music
The 12th edition of the Todo Mundo festival will feature six concerts, an international conference, mentoring sessions, and an interview with the artist. The festival will be held in Belgrade from September 20 to 22, 2024.
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At a time when children and parents have already settled into the school rhythm and autumn is taking over from summer, the “Todo Mundo” festival gifts the audience its twelfth edition, which is largely dedicated to Roma music.
During the three festival days – Pokreni! (Move!), Zavrti! (Spin!), and Poskoči! (Jump!) – daytime and evening events will take place. The main evening program will consist of six concerts, held at the Jewish Cultural Center (Jevrejska 16).
The concert program will kick off on September 20 with the Belgrade band Kal – well-known to both local and international audiences – featuring their distinctive, strong rhythms, powerful energy, and the compelling vocals of frontman Dragan Ristić. The evening will be rounded off in a completely different mood, with a concert by Tcha Limberger’s Kalotaszeg Trio.
Limberger, a violinist and vocalist, has a deep love for the music of the Carpathians, Transylvania, Romania, and Hungary, which has brought this exceptional, skillful, and versatile artist into the circle of top interpreters of Roma heritage from a region far removed from his native Belgium.
Tcha’s trio includes two Roma musicians: Toni Rudi Junior (viola) and Vilmos Csikos (double bass).
The second evening (September 21) will begin with a performance by the brilliant young Slovak singer Júlia Kozáková and the five-member Roma instrumental ensemble Manuša. Together with Júlia, they create a light and exhilarating atmosphere, deeply rooted in the tradition of Slovak Roma. Júlia’s warm, agile alto is perfectly supported by violin, cimbalom, viola, double bass, and guitar.
After Júlia and Manuša’s concert, the “Vojin Mališa Draškoci 2024” award will be presented by the World Music Association of Serbia to Vladimir Lenhart, known on stage as Lenhart Tapes.
This unique local musician is a virtuoso on Walkmans, creating a club atmosphere and experimental sound by sampling audio cassette material. After receiving the award, Lenhart Tapes will perform alongside vocalist Tijana Stanković.
The final musical evening (September 22) will feature performances by legendary bands from Hungary and the Czech Republic – Romano Drom and Terne Čhave. Both bands create modern gypsy music, with Terne Čhave even coining a slogan: It’s only Rom’n’Roll. Unlike them, Romano Drom builds modernity on the foundation of Vlach Roma tradition, which the band carefully nurtures and modernizes. The concert in Belgrade, as well as their entire tour this year, celebrates Romano Drom’s 25 years of successful work.
The accompanying program of the “Todo Mundo” festival includes several events. In collaboration with the National Committee of Serbia ICTMD and the Institute of Musicology of the Serbian Academy of Sciences and Arts, there will be an interview with Júlia Kozáková (in English) on the topic: “Reinterpretation of Traditional Songs of Romani from Central Europe”. The interview will take place at the Institute of Musicology (Knez Mihailova 36/4) on September 20, starting at 12 p.m.
On Saturday, September 21, starting at 11 a.m., at the garden of the Hotel “Rex”, mentoring sessions will be held with local and international delegates and musicians. Musicians must register in advance via email: todomundofestival@gmail.com.
The festival’s daytime program also includes an international conference in English titled: “Roma People and Music: Freedom, Adaptation, Taking Over.” The conference is scheduled for September 22, starting at 11 a.m., at the Jewish Cultural Center.
With the program on the final day, September 22, the festival, as it did last year, joins the celebration of the “European Folk Day”, just one day earlier, on the eve of the actual date which is September 23.
Ticket prices are 1,000 dinars for each concert evening. The price for a festival pass is 2,500 dinars. Tickets can be purchased through the website and at Tickets.rs sales points. Admission to accompanying events is free.
The organizer of the “Todo Mundo” festival is the “Ring Ring” Association, in collaboration with the Music Information Centre of Serbia. The festival is supported by Sounds of Europe, the Ministry of Culture of Serbia, Collegium Hungaricum, EFFEA, the World Music Association of Serbia, the Czech Center Belgrade, and the Ministry of Culture of the Czech Republic.
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🔗 Facebook Event „Todo Mundo Festival 2024”
🔗 YouTube: Kal ǀ Tcha Limberger ǀ Julia Kozakova ǀ Lenhart Tapes feat. Tijana Stanković ǀ
Variety that inspires: “Todo Mundo” 2023 is over
The eleventh Todo Mundo festival was held in Belgrade at different locations from September 21 to 23, 2023. The program included five concerts, one DJ gig, an international conference and a public conversation with two members of the Hungarian group Erdőfű.
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The eleventh edition of the Todo Mundo festival was fully in line with the basic idea set at the very beginning, in 2012 – an intriguing and diverse concert and accompanying program, which corresponds to the challenge and diversity of the world music polygenre, an entertaining, artistic, research and educational approach, and close contact with the audience.
Although the campaign for the 11th edition started earlier than ever, the three days of the festival flew through us with great speed and intensity that gave a new, driving energy.
When it was announced at the end of 2022 that September 23 was chosen as the European Folk Day, we immediately started to plan performances for that day by two ensembles, which fit perfectly into the first celebration of this important date. We hosted both groups – Erdőfű (Hungary) and Janusz Prusinowski Kompania (Poland) thanks to the international project “Sounds of Europe”, in which our Ring Ring Association is a partner and part of a team with 12 other festivals from 10 European countries.
Then, during the arrangement of Bombino’s performance in Novi Sad (Pocket Globe festival), the possibility arose to arrange Vieux Farka Touré’s gig in Belgrade with the same agent. The concert of Alba Carmona was essentially discussed during a joint bus trip with her agent to Naples and the Napoli World festival.
When you make such a program, then imagine and ask yourself: “Does the audience in Serbia know these musicians? How popular is Vieux really or is it just known for his famous father Ali Farka Touré? Is flamenco popular enough to fill the hall? How attractive is the traditional music of Hungary and Poland to the local audience?”
It was awaiting its confirmation in September. Only two unknowns remained when we started the campaign: Which of the local artists to include in the programme and, of course, what the last-minute budget would be, that chronic pain of most events in Serbia.
We chose DJ Killo Killo, our internationally most famous world music DJ, fan and connoisseur of African music, as the local artist. We considered this as a more than appropriate solution for the continuation of the evening after Vieux Farka Touré’s concert, in the Zappa Baza club, with which we now cooperated for the first time.
That choice for the opening of the festival (September 21) turned out to be a complete success. The audience responded in large numbers, both younger and older, including several legends of Belgrade music journalism. All of them together confirmed that the music of Mali easily provokes all generations to dance. Despite all that, cooperation with a world star, as Vieux certainly is, was not at all complicated. Vieux and his musicians are polite, simple and cordial in their conversations with the media and the audience (we think they spent two markers signing records and discs).
The following evening (September 22), the return to our longtime venue, the Jewish Cultural Center, presented a new challenge. Will the two different audiences – flamenco lovers and accordion fans – completely be separated or will the quality and intriguing music make everyone stay in the hall for both concerts? And yes, to our joy, exactly the second thing happened. Belofour, the Austrian accordion quartet, also nailed the flamenco fans to the chairs, only for Alba Carmona and Jesús Guerrero to keep them there with ease, and finally get them back on their feet.
The European Folk Day itself was marked with several activities during the third, and last day of the festival (September 23). In addition to the evening performances of the groups Erdőfű and Janusz Prusinowski Kompania, good acquaintances from the international scene, during the day, another in the series of international music conferences, which we organize for the third year in a row as part of the Todo Mundo festival, was held in the RTS Club – Radio Belgrade Gallery.
The topic, quite appropriate “Tradition nowadays, in the World Music”, imposed itself, with the participation of experts, musicians, organizers and scholars from six European countries: Daina Zalāne, Márton Éri, Marija Dumnić Vilotijević, Alba Carmona, Janusz Prusinowski, Ana Sors, Mirjana Raić Tepić, Soma Salamon, Joanna Wiedro-Żak, as well as permanent hosts, organizers of the “Todo Mundo” festival, Marija Vitas and Bojan Đorđević.
In addition to this addition to the program, the festival, as in 2022 and 2016, in cooperation with the Department of Ethnomusicology of the Faculty of Music in Belgrade, offered a talk by Soma Salamon and Márton Éri with professors and students, on the topic of Hungarian traditional music, tanchaz, the heritage of Transylvania etc.
This time too, the volunteers contributed, and the media supported us quite strongly.
As it was every year, the freshly realized festival is the impetus for us to start creating the next edition and to attract a new and younger audience, but also to promote the festival all over the world, both at festivals, conferences, and through social networks.
From desert blues to flamenco: “Todo Mundo” 2023
The 11th Todo Mundo festival brings five concerts, a DJ performance and an international conference. It will be held in Belgrade, from September 21 to 23, 2023.
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The transition from summer to autumn, in the capital of Serbia, will be marked again this year by the Todo Mundo festival, with concerts at two venues and an international conference. In terms of the program, the festival days were conceived and named as: “Razmrdavanje” (Shaking up), “Gradske priče” (City Stories) and “European Folk Day”.
We are already used to regularly listening to the pearls of world music at this festival, from regions that were called “exotic” before the new era of Internet networking. This year, the headliner of the festival is Vieux Farka Touré from Mali, an artist who performs extensively on all continents, with a current tour lasting over six months, with already sold-out concerts in England scheduled for May 2024. Magazine “Rolling Stone” awarded five stars to Vieux’s latest album “Les Racines” (Roots), another great offshoot of the so-called desert blues.
The son of legendary Malian musician Ali Farka Touré, Vieux will open the 11th Todo Mundo festival with a performance at Zappa Baza on Thursday, September 21. After the concert of his trio, the audience will be further shattered by one of the most engaged local DJs among those inspired by ethnic sound – DJ Killo Killo (Vojislav Malešev) from Novi Sad. His set will include Afrobeat, and Ethiopian jazz, as well as new, modern themes inspired by Africa.
The remaining two evenings will be held at the Jewish Cultural Center Oneg Shabbat, on September 22 and 23. The “Gradske priče” evening will be opened by the Viennese accordion quartet Belofour, whose music is inspired by Vienna itself, as well as the Balkans, tango, classical and jazz music, bringing top-notch art, virtuosity and fun!
It will be their premiere performance in Serbia, which also applies to the concerts of other foreign artists at this year’s festival, and in some cases, it’s about premieres in the region.
One of the most popular “exotic” kinds of music is flamenco from Spain, where new names, performers and composers are constantly arriving. At the Todo Mundo festival, the duo of singer Alba Carmona and guitarist Jesús Guerrero will present their approach to flamenco and other Spanish and Latin American genres, and will also show us why interest in their duo is growing in Europe.
The dance character of the music is an obvious feature of this year’s Todo Munda. This also applies to the last evening, during which the festival joins the celebration of the “European Folk Day”, officially linked to September 23, starting this year. Thanks to the program of the third festival evening, called “European Folk Day”, Belgrade is also on this European map!
The celebration of the “European Folk Day” will begin with the international conference “Tradition nowadays, in the world music”, which will be held in the RTS Club – Radio Belgrade Gallery, starting at 11 a.m. and ending with concerts in the evening hours.
Among the many great roots groups from Hungary, the band Erdőfű drew attention with exceptional albums released in the past three years, concerts and well-attended tanchaz-evenings, and was recently nominated for the “Best New Group in Europe” award, chosen by representatives of several festivals gathered around the project “UpBeat”.
Even more experienced, and much better known in the world, is the Polish band Janusz Prusinowsky Kompania, which approaches folklore tradition in a similar way, authentically and refreshingly. Band leader Janusz Prusinowski is one of the leading researchers and promoters of Polish roots music, as well as a prominent violinist.
Compact and exclusive, the program of the 11th Todo Mundo festival will allow the local audience to truly enjoy the concerts of top, well-known musicians of diverse artistic expressions.
The price of an individual ticket is 1,500 dinars for the first evening (September 21) and 1,000 dinars for the second and third evenings (September 22 and 23). The price of the festival set is 3,000 dinars. For the first evening, individual tickets can be purchased at Zappa Bar (Kralja Petra 41) and through the Tickets.rs website, while the set, as well as individual tickets for the second and third evenings, can be purchased exclusively through the Tickets.rs website. Tickets can also be purchased at the entrance, before the start of each evening.
The organizer of the 11th Todo Mundo festival is the Ring Ring Association in cooperation with the Music Information Centre of Serbia. The festival was supported by: the Ministry of Culture, City of Belgrade, Sounds of Europe/Creative Europe, Embassy of Spain, Collegium Hungaricum Belgrade, Austrian Cultural Forum, Instytut Adam Mickiewicz and RTS/Radio Belgrade 3.
